Monday, May 7, 2012

Today’s Rant

I used to be a fan of cable news networks. But, frankly, they are making me lose my lunch. News networks are supposed to report the news. They used to do something called journalism. You remember. Investigative reporting. But is that what we are being offered today? If you watch MSNBC and Fox News, you would think we were on two different planets. Both networks have turned news into entertainment for our amusement. Neither seems interested in reporting the news but would rather tell us what the news means as if we are not intelligent enough to figure it out on our own.

Do you remember the truth? I’m not sure either network really cares about the truth other than to promote its own agenda. Fair and balanced? You’ve got to be kidding me. Whether the news is from the right or the left or Democrat or Republican, it is now all about spin. I’m not saying that everything on these networks is necessarily unfair. But it seems to be the general direction each is headed. It’s just part of our culture and a reflection of the media culture that we live in.

Would you really watch if you didn’t have people yelling at each other? I realize that conflict drives story. But we are talking about things that impact the future of our nation and the welfare of our children and grandchildren. This is important stuff. It’s so frustrating to see people get criticized who want to sit down and have an actual dialogue or discussion. Compromise had become a dirty word. The news networks seem to be interested only in demonizing the opposition.

What sacrifices are we willing to make to turn a profit and increase audience share. We must demand a return back to real authentic journalism. Let’s start reporting the news without spin and analysis. I often hear people talk about taking back our country. What about taking back fairness and just reporting the news.

Sunday, May 6, 2012

Box Office Shocker: 'Avengers' Opens to Record Shattering $200.3 Million

Joss Whedon's The Avengers has set a new bar in opening to a walloping $200.3 million at the domestic box office, the largest debut ever and kicking of summer 2012 in high style.

The Avengers -- marking a major victory for Disney and Marvel Studios -- easily dethroned Harry Potter and the Deathly Hallows: Part 2, which opened to $169.2 million last summer, then the largest number in history.

Overseas, where Avengers opened a week ago, the tentpole has earned $441.5 million for a stunning worldwide total of $641.8 million -- already surpassing the lifetime totals of Captain America: The First Avenger ($364 million), Thor ($449 million), Iron Man ($585 million) and Iron Man 2 ($624 million).

The 3D tentpole is now positioned to reach $1 billion in global grosses.

Among other records, Avengers is the first film in history to cross $200 million in only three days of play at the domestic box office. It also scored the biggest Saturday gross of all time in earning $69.7 million.
"It's been a fantastic weekend on every single front," Disney executive vice president of distribution Dave Hollis said.

Hollis said the slim 13 percent drop from Friday to Saturday reflects great word of mouth, as well as the fact that all segments of the audience are turning out, including families. Roughly 52 percent saw it in 3D.

The tentpole played evenly in terms of age, with 50 percent of the audience under the the age of 25 and 50 percent over. Couples made up 55 percent, families 24 percent and teens 21 percent. Males represented 60 percent of the audience.

Avengers -- which assembles marquee Marvel superhero characters Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans), Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) -- earned an A+ CinemaScore.

IMAX theaters reported record business, generating north of $15 million in ticket sales domestically to tie with Deathly Hallows Part 2 for the biggest opening weekend in the circuit's history. IMAX expects to finish the weekend with a worldwideume of $31.2 million.

Avengers is the first Marvel title marketed and distributed by Disney since buying Marvel. Paramount distributed Marvel's previous films and, in exchange for ending its output deal early with Marvel, will received as much as $115 million in distribution fees for Avengers and next summer's Iron Man 3.

Avengers was the only wide release of the weekend. At the specialty box office, Fox Searchlight looked to counterprogram with The Best Exotic Marigold Hotel, which opened in 27 theaters in 12 markets. Marigold grossed $750,301 for a pleasing per location average of $27,789.

Fox Searchlight's Sheila DeLoach said the film -- which has already a stellar $72 million overseas -- succeeded in luring baby boomers, evidenced by sold out matinee and early evening shows. Marigold stars Judi Dench, Bill Nighy and Tom Wilkinson.

For full box office results, see below.

Domestic box office, April May 4-6
Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume
1. The Avengers, 1/4,349, Disney/Marvel Studios, $200.3 million.
2. Think Like a Man, 3/2,011, Sony, $8 million, $73 million.
3. The Hunger Games, 7/2,794, Lionsgate, $5.7 million, $47.9 million.
4. The Lucky One, 3/3,005, Warner Bros., $5.5 million, $40 million.
5. The Pirates! Band of Misfits, 2/3,358, Sony/Aardman, $5.4 million, $18.6 million.
6. The Five-Year Engagement, Universal, 2/2,941, $5.1 million, $19.3 million.
7. The Raven, 2/2,209, Relativity/Intrepid, $2.5 million, $12 million.
8. Safe, 2/2,271, Lionsgate/IM Global, $2.5 million, $12.9 million
9. Chimpanzee, 3/1,531, Disney, $2.4 million, $23 million.
10. The Three Stooges, 4/2,174, $1.8 million, $39.6 million.

Saturday, May 5, 2012

50 Films with a Christian Theme

1. Chariots of Fire (1981, PG). Inspiring story of a young Scottish runner who is willing to put obedience to God before an Olympic gold medal.

2. A Man for All Seasons (1966, G). The inspiring story of Sir Thomas More, the 16th century Chancellor of England who was beheaded by Henry VIII because he would not compromise his beliefs. More is played by Paul Scofield, whose last lines in the film are: "I die his majesty's good servant, but God's first."

3. Shadowlands (Both the 1985 version, no rating, and the 1993 version, rated PG.). Flawed but interesting films about C. S. Lewis and his marriage to Joy Davidman.

4. Sergeant York (1941, not rated). A young man is converted to Christ, and then must decide whether killing in the context of war is authorized by the Bible. Based on a true story.

5. The Robe (1953, not rated). A Roman centurion who carries out the crucifixion of Christ becomes one of His most fervent followers. A dramatic tale of heroism and sacrifice.

6. I Confess (1953, not rated). A Hitchcock drama about a priest who hears a murderer's confession--and then is himself arrested and tried for the crime. One of the most inspiring portrayals of Christian faith on film, this movie depicts a priest who is willing to give up even his life before betraying his vows.

7. Ben-Hur (1959, no rating). A young Jewish man who lives at the time of Christ battles the Roman Empire and ultimately becomes a Christian.

8. Brother Sun, Sister Moon (1973, PG). A lovely film about St. Francis of Assisi. brothersun.jpg

9. The Hiding Place (1975, not rated). The true story of a Dutch woman named Corrie ten Boom whose family hid Jews from the Nazis, and were themselves sent to concentration camps when the Nazis discovered what they were doing. A tremendous example of Christian courage. NOTE: The film depicts the brutal reality of life in a concentration camp.

10. Saving Grace (1986, PG). A new pope finds himself locked out of the Vatican by mistake one day, and goes incognito to a small town run by a local thug. A sensitive and amusing film that illustrates the New Testament meaning of servanthood. Produced by Robert Wise of "The Sound of Music" fame. NOTE: Attempted seduction scene, one child is killed through an accident.

11. Les Miserables (1935, not rated). The redemptive Victor Hugo story of Jean Valjean, who is sent to prison for stealing a loaf of bread, and becomes a Christian through the sacrificial love of a bishop.

12. Tender Mercies (1982, PG). A down-and-out country singer turns to Christ. An on-screen baptism is beautifully depicted.

13. Repentance (1987, PG). This film was banned in the Soviet Union. Ted Baehr's MovieGuide says: "Repentance is the movie that destroyed Communism. This ... magnificent movie exposes the evils of communism ... while lifting up the suffering Church and the triumphant, eternal Church of Christ Jesus." (In Russian with English subtitles.)

14. Cry the Beloved Country (1995, PG-13). Set in the 1940s, the film is about a black South African minister whose son has been accused of the murder of a white man. A Christian worldview is portrayed throughout. NOTE: Implied murder, implied prostitution and fornication. inheritthewind.jpg

15. Inherit the Wind (1960, no rating). If you want to understand why our cultural elites think Christians are poor, ignorant, and easy to command, watch this film. Based on the 1925 Scopes "monkey trial," this film depicts Christians as ignorant, intolerant, and hypocritical.

16. The Brothers Karamazov (1958, no rating). Is it possible to be good without God? This film correctly says no.

17. Dead Man Walking (1995, R). A nun becomes the spiritual advisor to a death row inmate. Contains a very strong conversion scene. NOTE: A murder and rape are shown at a distance, two corpses (one unclothed) are depicted. Some obscenities and vulgarities.

Films with Moral Themes

The following films are worth watching for their serious and inspiring treatment of moral themes, or because characters face moral challenges and rise above them.

18. Mr. Smith Goes to Washington (1939, not rated). A Frank Capra classic about an idealistic young senator who takes on corrupt politicians.

19. It's a Wonderful Life (1946, not rated). A classic Jimmy Stewart film about a depressed man who is reminded on Christmas Eve of how much he has to be grateful for.

20. Casablanca (1942, not rated). This classic is set in Morocco during the Second World War. Unlike the characters in "The English Patient," Rick and Ilsa sacrifice personal happiness for honor. mrsmith1.jpg

21. The Winslow Boy (1948, no rating). Based on a true story, the film depicts the sacrifices an entire family is forced to make when the son is wrongly accused of theft at school, and the father decides to fight for the boy's honor.

22. High Noon (1952, not rated). A good man stands alone against the forces of chaos and evil. A landmark Western.

23. Shadow of a Doubt (1942, not rated). In this Hitchcock thriller, an ordinary young woman realizes her uncle is a murderer and must decide what to do with that knowledge.

24. The Man Who Knew Too Much (1955, no rating). A Hitchcock film in which an ordinary man on vacation is thrust into a crisis and forced to make difficult moral choices.

25. North by Northwest (1959, no rating). In this classic Hitchcock film, an advertising executive is the victim of mistaken identity, and must ultimately choose between his own safety and helping his country.

26. War of the Worlds (1953, no rating). The antidote to 1996's Independence Day. When aliens attack, who you gonna call? This film says you call God, and he will answer.

27. War and Peace (1956, no rating). Hollywood's version of the Tolstoy novel about three families caught up in Russia's Napoleonic Wars. twelveangrymen.jpg

28. Twelve Angry Men (1957 version, not rated). A jury explores issues of justice and race.

29. The Sound of Music (1965, G). A family is willing to sacrifice everything rather than join the Nazis.

30. In the Heat of the Night (1967, no rating). A classic film about a black New York detective who travels to the South to help solve a murder and becomes a victim of racial bigotry. NOTE: Adult themes.

31. Rudy (1993, PG-13). The true story of a young boy who dreams of playing football for Notre Dame. A film that celebrates having a dream and working at it. Ted Baehr's MovieGuide says: "The film presents a moral view of character, the need for prayer, the sovereignty of God, and a positive view of the human spirit." NOTE: Some foul language and a skewed depiction of Catholicism.

32. Sense and Sensibility (1995, PG). The story of a couple willing to give up private happiness for honor. Based on the Jane Austin novel. Beautifully filmed.

33. Mr. Holland's Opus (1995, PG). A film that celebrates the glory of teaching, and of how one person can make a difference in the lives of others. NOTE: Some mild obscenities. No sex, nudity, or violence.

34. Spitfire Grill (1996, PG-13). The characters and their stories serve as springboards to lessons about forgiveness and the possibility of healing and restoration. The film was financed by Gregory Productions, the film-making arm of the Sacred Heart League. NOTE: Mild violence and mild foul language, references to rape and child abuse. Schindler'sList.jpg

35. Stand and Deliver (1988, PG-13). Based on a true story, a new teacher in a rough urban school refuses to believe his students cannot learn and excel. NOTE: Rough language, violence.

36. Braveheart (1995, R). Set between 1280 and 1314, the film is about the Scottish freedom fighter William Wallace who leads his people to freedom from England. Christian film critic Ted Baehr writes: "The movie is a rallying cry for the supremacy of God's law and [His] judgment of those who unjustly govern their fellow man." NOTE: The violence of war is graphically depicted, brief nudity, two discreet sex scenes.

37. Schindler's List (1993, R). A Holocaust drama about a German businessman who helps Jews escape the death camps. The film shows what one individual can accomplish in the face of great evil. NOTE: Contains profanity, graphic violence, and nudity, as well as some anti-Christian references.

Other Worldviews and Philosophies

The following films provide insight into other philosophies that help us understand ideas that shape the world in which we live:

38. Star Wars (1977, PG). Ted Baehr's MovieGuide says: "Pagan worldview of impersonal, monistic force empowering man and controlling circumstances." An introduction to New Age monism.

39. Annie Hall (1977, PG). Woody Allen's magnum opus anticipates the self-centeredness and therapeutic culture more than a decade before anyone else. NOTE: Contains scenes of sensuality, some crude language.

40. Days of Heaven (1978, PG). A brother and sister end up on a farm in Texas in a world with no meaning or purpose. Terrence Malick, a philosophy instructor turned filmmaker, made this film to be a window of insight into existentialism. This movie shows what is wrong with a world that excludes God. gandhimovie.jpg

41. The Dark Crystal (1982, PG). Two muppet-like creatures attempt to return a crystal shard to the castle containing the Dark Crystal. If you want to see how Hollywood sneaks New Age spirituality into children's films, here's a perfect example. Use the film to teach your kids how to be discerning.

42. Gandhi (1982, PG). A carefully Westernized introduction to this famous Indian, who used passive resistance against India's British rulers.

43. Crimes and Misdemeanors (1989, PG-13). A man kills his mistress, and then remembers the lessons of his childhood in a Jewish home. The film illustrates the true struggle of conscience: that without God, man has to "kill" his conscience or go mad. NOTE: Adult themes.

44. Jurassic Park (1993, PG-13). Rampaging dinosaurs are used to promote evolutionary arguments. NOTE: Violence may be too intense for many children. Some profanity.

45. Contact (1997, PG-13). Based on a novel by the late Carl Sagan, this film about SETI (the Search for Extra-Terrestrial Intelligence) raises all the Big Questions of life. Portrays worldview of evolutionary scientific materialism. Ted Baehr writes: "A beautifully produced, sophomoric film which will give pseudo-intellectuals much food for thought while . . .offending the Christian moviegoer." Excellent for discussion. NOTE: Rough language, some nudity, implied fornication.

Children's films with a strong Biblical worldview

46. The Chronicles of Narnia (1989, not rated). Based on the Narnia books by C.S. Lewis (3 volume set). secretgarden1.jpg

47. The Lion King (1994, G). This animated film is a reminder that we cannot flee either our responsibilities or our troubles; we must face them head on. We also see a father willing to sacrifice his life for his son.

48. The Three Lives of Thomasina (1963, PG). An example of what the Disney Studios were capable of before the forces of political correctness took over. A heartwarming, turn-of-the-century tale of a Scottish veterinarian who loses--and then regains--his faith in God.

49. Beauty and the Beast (1991, G). This animated film echos the Biblical teaching that what's inside the heart is more important than outside appearances.

50. The Secret Garden (1993, G). Ted Baehr's MovieGuide says: "this profound story has been treated by many as a Christian allegory of death and new life through the power of love." NOTE: In one scene, the children are depicted chanting a magical spell around a bonfire.

Friday, May 4, 2012

Blue Like Jazz, Officially in No-Man’s Land

Steve Taylor’s newest film, Blue Like Jazz, is officially now in no-man’s land, a place that has no core or base audience. There’s no way to put a positive spin on the numbers. Last week, Blue Like Jazz grossed only $37,163 at the box office. To date, the film has made slightly over $551,000 in three weeks. It’s not likely that Blue Like Jazz will add much to those totals considering it played on only 46 screens last weekend.

The obvious question is: What went wrong? Considering the movie was adopted from a well-known and respected book by Donald Miller, you would think the film would at least be somewhat successful. After a robust on-line campaign and Kickstarter initiative, the producers of Blue Like Jazz raised the necessary funds to make the movie a reality. All the signs pointed to a successful endeavor.

However, Blue Like Jazz suffered a fate that other similar films have faced. It was too Christian for a mainstream audience and not Christian enough for a Christian audience. Steve Taylor, Director, made a point to distance himself from the Christian movie industry and also made it clear that Blue Like Jazz was not a Christian film. The end result was that conservative Christian audiences who supported movies like Fireproof and Courageous stayed away in droves.

At the same time, movie critics weren’t buying Steve Taylor’s message that his film was not a Christian film. In one case, one critic went as far as to state “Make no doubt about it. The uncredited executive producer of the film is Jesus Christ.”

We can probably have a discussion all night as to whether Blue Like Jazz is a Christian movie. But the truth is it’s a different kind of faith-based film. Blue Like Jazz, unlike other traditional Christian movies, is good at asking questions about the important issues in life. It doesn’t offer any easy answers. It’s a film that explores our doubts about faith. It’s also not afraid to point out the hypocrisies that take place in the church. This type of material obviously makes many Christians uneasy.

Is there an audience for this type of film? At least in my opinion the audience does exist. The problem is nobody has built a road to reach them. And until that happens, films that are similar to Blue Like Jazz will not find box office happiness. You may or may not be a fan of Courageous or Fireproof, but both films averaged over $35 million at the box office. Impressive, right? Compare that to the number that Blue Like Jazz generated. There’s a huge difference.

The producers of Courageous know who their audience is, where their audience is, and how to reach them. They built a road that every Christian filmmaker now has access to. It used to be the hard part in filmmaking was coming up with a great script, funding, a solid cast and crew and, of course, a distributor. But now, the distributor expects you to do all the hard work of finding your audience.

Blue Like Jazz is a solid movie. That’s the sad part in this whole story. It deserved a much bigger audience. But until a road is build and the audience is identified, we can expect the same fate for similar movies in the future.

Thursday, May 3, 2012

Grab Your Gear



You already own more video production gear than you realize. In this how2video segment we're going to help you discover the gear you need and the gear you already own.

This video is part of a 7 video series on the basics of video production. Please check out how2video.org

Wednesday, May 2, 2012

The Perfect Storm - A Single Story Arc

Over the past few decades, we have seen a series of seemingly random events leading to “A Perfect Storm”, which has created a powerful media culture. Do we have a single story arc that has emerged from today’s media? Has this story arc directly or indirectly through our mass media been institutionalized in our culture?

Business, media and culture have combined to create a unique relationship, which is based on the pursuit of consumerism. This story arc is about convincing YOU that you are more important than anything. Your wants, needs and desires are your first priority and must be met at any cost. This keeps YOU as a good consumer. Any threat to this concept will disrupt the current system.

Today’s media culture does not deny the existence of God nor does it tell us not to believe in him, but it does allow us to the opportunity to put ourselves at the center of our lives. For Christians, the media culture has helped us to create an image of God that fits into our lifestyle. By doing that, we can pursue our own goals and objectives without feeling guilty.

I fully understand this message is not new. It has been around since the fall of man. It is our basic instincts, our worst nature. What is different today is the scope and size of the massive media culture which has been created over the past few years. Its ability to focus a message with enormous power is undeniable. Not every television program or movie will directly communicate this message, but most often it will be conveyed in subtext or some other subconscious means.

Consider the following facts. The average person will have watched 18,000 hours of television and viewed 320,000 30-sec commercial ads before the age of 18. That’s compared to only 12,000 hours in the classroom. It becomes a numbers game with the right images over a long enough period of time through many different platforms, such as movies, TV, web, and advertising. The media culture will find a way to get this message across that YOU are the center of the universe, and YOU are more important than anything else, guaranteed

Tuesday, May 1, 2012

Christopher Shawn Shaw



Christopher Shawn Shaw, filmmaker, actor, editor and writer from California shares with Christian Movie Connect host, Cheryl Ariaz Wicker about his films and career. Christopher is the producer and director of “Skip Listening,” the 2nd most-nominated short film at the 2010 168 International Film Festival, which had 12 nominations. He is currently working on a romantic comedy/satire feature, “Youth Group” with Christian comedian Thor Ramsey. Interview conducted at the 2011 Gideon Media Arts Conference & Film Festival.